Interview with Dr Stephen Haley for Artlink: Contemporary Art of Australia and the Asia Pacific, Vol 31, No 4, 2011

SH: Although your work addresses many issues, let’s concentrate on colour. First up – your technique involves pouring ‘skins’ of paint, cutting these into various landscape-like forms and recombining them as collage. How intentional is the colour choice or do you make various skins and then choose among them to create a work?

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Interview The Blackmail Dec 2010

Kate Shaw’s glacial tripped out landscapes are at once dreamy and disturbing. Pastel pinks swirl organically against acid limes, while a trickle of glitter outlines a slimy green pool. Underneath her work’s innate beauty, lies a more ominous subcurrent. In a way, Shaw’s work is a warning. Her landscapes are concerned with issues of environmental degradation, while tapping into the innate fear and feeling of disconnection we have with the natural world.read more

The Blackmail, Feature Interview December 2010

The Art Life, review Isobel Phillips ‘Rock Life’ November 2010

Theartofit, November 2010

BOOOOOM! November 2010

TwoThousand review Nell Greco, November 2010

Artist Profile Magazine, February 2010

UAP Marker, February, 2010

Art in NYC, September 2006

The Age, Ashley Crawford, Review, July 2006